Interweaving of emotions

Ensemble And Chamber

Subtlety is one of the characteristics of ensemble and chamber music. The instruments can be combined in any way. Different combinations bring different auditory experience. While full of surprises, you can hear the music trend of each part more clearly. It will take you into your own mood and spare no effort to show off its unique timbre. 
It is about to begin a journey of the soul.

Wolf Shadow

Year: 2015 
Instrumentation: For 2 Violins, 1 Violoncello, 1 Contrabass 
Duration: 9’00” 
Program Notes: 

On the cliff 
Under full moon 
There are grieved and screaming howls 
And there you will find 
The shadow of the wolf 

In the war of territory 
Defending against enemies 
is the most soul-stirring scene 
And there you will find 
The shadow of the wolf Transfinite

Transfinite

Year: 2016 
Instrumentation: For 1 Pipa, 1 Chinese Dulcimer, 1 Zheng 
Duration: 7’50” 
Program Notes: 

This score is to express the unity of the universe, time and space, and the diversity produced by the continuous movement of matter and energy. 
The badminton shaped fountain is composed of water vapor and plume, which seems to be derived from 2 patterns: rhythm and range, combination and deformation. The infinite possibility is brought by the collision, it is like the numbers and notes in the resembling music. And the playing method and the pitch intervals change alternately. The eruption is like the constant stimulation and oppression in the melody. To form infinity in the form of restricted compass, to get unity between chaos and order. In a limited region of articulation, to complete the form without any restriction, to find a breakthrough in the repeated matter collision and depression. 
The universe, music, restriction and unlimited. 
The universe is like the brain.

The wind comes across the sea, laughing in the leaves

Year: 2017 
Instrumentation: For 1 Violin, 1 Piano 
Duration: 7’55” 
Program Notes: 

In semiotics, volute is a variant of circle, indicating a circular movement and a repetition of a process again and again, demonstrating the characteristics of "perpetual". The composition borrowed the concept and adopted the tones of Chinese Kunqu Opera to express the idea of reincarnation, eternal life, awakening, hope and new life. 
The violin is just like the outline of the symbol. lines start from the original point, curly and tense. It sounds like the breeze and clouds, and the sound keeps flying (going) back and forth in the woods, in the moonlight, in the water and in the water waves. 
The piano is like the inner side of the symbol. The revolving and surrounding the vortex shows has provided a sense of movement for the piano. Like the living things in nature, the piano has a strong life and spreads like flowers.

the Wind Laughed in the Shadow of Tree

Year: 2017 
Instrumentation: For 1 Violin, 1 Chinese Bamboo Flute, 2 Pipas 
Duration: 11’48” 
Program Notes: 

The wind has a variety of changes in nature, and the whole song takes the wind as the element into semiotics and represents the vorticity symbol. In semiotics, volute is a variant of circle. Violin is like the wind, and pipa is like the volute, which indicating a circular movement and a repetition of a process again and again, demonstrating the characteristics of "perpetual". The composition borrowed the concept and adopted the tones of Chinese Kunqu Opera to express the idea of reincarnation, eternal life, awakening, hope and new life. 
The violin is just like the outline of the symbol. lines start from the original point, curly and tense. Violin and bamboo flute sounds like the breeze and clouds, and the sound keeps flying (going) back and forth in the woods, in the moonlight, in the water and in the water waves. 
The pipa is like the inner side of the symbol. The revolving and surrounding the vortex shows has provided a sense of movement for the pipa. Like the living things in nature, the pipa has a strong life and spreads like flowers.

The figure is golden, dancing in the mountain

Year: 2018 
Instrumentation: For Flute and Percussion (Xylophone, Marimba, Maracas Timpani) 
Duration: 9’44” 
Program Notes: 

This piece is based on the work

Pure. Fire

Year: 2019 
Instrumentation: For String Quartet 
Duration: 10’20” 
Program Notes: 

Fire, a phenomenon of energy release, changes shape as it vibrates. The rhythm is interwoven in the splitting, recombining, colliding and combining of the fire, and the timbre sways with each other in the pressure and temperature. The mixture of the two is more like the interpretation of the flow and jump of fire, which produces various forms in the continuous refining. 

Fire, in the continuous acquisition of energy, transcends the existing form and possesses the purity of transforming the visible into the invisible. The natural friction between the bow and the string is like the impact of tangible materials, showing unique and consistent charm in different playing methods. Finally, the entanglement of different emotions, only to tell the purest nature.

Glittering Gloss

Year: 2020 
Instrumentation: For 1 Chinese Bamboo Flute, 1 Erhu, 1 Pipa, 1 Zheng 
Duration: 7’43” 
Program Notes: 

“Colored Glaze”, the first of the five famous Chinese artifacts, is a magnificent chapter in this historical collection. It displays a fusion of changes toward a modern aesthetic while integrating a delicate mood, resulting in a beautiful harmony of emotion and art. 
In Glittering Gloss, I want to show the crystal clear quality of this colored glaze, but not diminish its color fusion. For instance, there is a different timbre at the point of intersection of different textures, but it does not lose its unique consistent quality. The flow of color is like a song, like tears… the material moves like long and short breaths in linear textures extending and colliding. Large or small bubbles are like floating or sinking musical shapes, suddenly dense then suddenly discrete. Musical motives are constantly cutting through and in conversion, wandering in the flow of the colored glaze, and floating in the color of the different registers, exquisitely and effortlessly. Also, the glaze may be described as powerful. Colors are elegant and flying. The combination of thought and emotion convey tension, and the shock brought by the performing methods is also incisive. Different colors also suggest strong textures. The independent direction of the different voices combine with an internal connection between the instruments, forming a unique sound effect and creating a consistent musical mood. In the end, the soft feeling is of water, the tone alternates between instruments, and the intensity between the notes sounds gentle and clear. 
Colored glaze, joins together myriad colors but remains always transparent, flying, with soaring spirit and elegance.

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